都说(🚠)(shuō(🙍&#
都说(🚠)(shuō(🙍) )男(nán )人一有(yǒ(💩)u )钱就变(biàn )坏，女(♎)(nǚ )人一变(biàn )坏(🤕)就有(yǒu )钱，这句(🍙)话用在张宝文(🎡)和他的秘书身上绝对合适。张宝(bǎo )文(🏠)原(yuán )本(běn )有一(📪)个(gè )非常好(hǎ(🐢)o )的前程(chéng )和家(🦂)庭(tíng )，但是(shì )他(🍟)却不珍惜，与自(🕊)己的秘书走到(🤗)了一起。这一段(💾)(duàn )办公室(shì )的(🧛)恋(liàn )情(qíng )导(⭕)致(🤧)了(le )张宝文(wé(🏨)n )在(⏪)事业(yè )上和(💧)家(🌕)(jiā )庭上彻底(🐝)破(🐶)碎。秘书的贪(🥨)婪(🤚)最终落到过街(🖍)老鼠人人喊打(📐)(dǎ )的地(dì )步(bù(🥠) )。当张(zhāng )宝文重(🤸)(chóng )新回归(guī )家(🏘)庭的(de )时候，一个(🛳)熟悉的面孔站在了门(🈂)口挡住了他的(🏨)视线。
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
米(mǐ )歇尔(🥐)·布朗(lǎng )([累(lè(🏺)i )得要命(mìng )])自编(🕠)自(zì )导的新(xī(⏯)n )片[看我(wǒ )们如(📷)何(hé )跳舞](Voyez comme on danse，暂译(🚾))在巴黎开拍。该(📦)片卡司包括(👑)夏(🏙)洛特·兰普(🐽)林(🛵)(lín )、嘉(jiā )莲(💎)(liá(🍶)n )·维雅(yǎ )([贝(🍙)利(🔶)叶(yè )一家])、(🔦)卡(💵)洛儿(ér )·布盖(㊗)([不要来打扰我(🍑)])、让-保罗·卢(👂)弗([领奖台])等。影(✖)片情(qíng )节目(mù(🍾) )前(qián )处于保(bǎ(👸)o )密阶段(duàn )，巴黎(lí )为其(🥊)主(zhǔ )要拍摄(shè(🍤) )地，预计10月28日杀(🤷)青。
A collection of horror stories involving cannibals, zombies “and other funny creatures”.
After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief.
明朝年间(⛔)，兵部尚书(shū )麾(🌌)下的(de )百户(hù )段(👋)(duàn )天昊为(wéi )查(👚)出倭(wō )寇与阉(😴)(yān )党勾结(jié )销(🥧)赃的(de )证据，加(🌞)入(🥎)锦衣卫，几年(👃)来(🥔)一直潜藏在(🔇)太(🔜)监总管(guǎn )张(🍖)公(🛣)公(gōng )身边。就(🥧)在(🐳)他(tā )终于得(dé(🥊) )到线索(suǒ )，准备(😞)(bèi )与多年兄弟(🌻)总旗苏子峪里(🤖)应外合抓住犯(🏷)人时，兵部尚书(🥅)(shū )刘大(dà )人(rén )得到阉(🤓)(yān )党利用(yòng )倭(👶)寇陷(xiàn )害福州(💯)(zhōu )知府的(de )线报(🤱)，并派出段天昊(🎛)的弟弟段天麟(📔)到倭寇处卧底(💑)(dǐ )。段天(tiān )昊与(🌈)(yǔ )苏(sū )子峪只(⌚)(zhī )得放弃(qì )到(😹)手的(de )功劳，前(⚾)往(🐪)福(fú )州，却不(🚷)曾(🦂)料到竟是一(😑)场(🐩)有去无回的(🤖)凶(😬)险之旅。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
详情
