《莫霍(huò(🧑) )
《莫霍(huò(🧑) )克人》立意为历史(🔑)剧(🗽)，发生于1812年第二次独(💨)(dú )立战争(zhēng )接近尾(🕔)(wěi )声(shēng )之时(shí(🧐) )，但(🤙)随(suí )着美国原罪在(📗)眼(📰)前展开，由此产生(🥘)的神秘色彩和(🍽)(hé(♟) )恐怖效(xiào )应让这(🍇)(zhè(📪) )部(🥚)(bù )影片(piàn )真正成(📕)了令人毛骨悚然(🤕)之作。
英国知名舞(😾)台(🐋)剧(🤫)《鬼故事(shì )》将(jiāng )被(🎙)(bèi )搬(bān )上大(dà )银(✂)幕，新片主演马丁(♈)·(😟)弗瑞曼、乔治·麦(🍽)凯、安(ān )迪·尼(🏟)(ní )曼等。尼(ní )曼继(🏐)(jì(🌎) )续(xù )出演(yǎn )他在剧(🏘)中的角色古德曼教(👾)授。古德曼是一(🐖)位(🥄)心理(lǐ )治疗师(shī )，从(🌮)不(🚔)(bú )相(xiàng )信鬼(guǐ )怪(🛵)之说；然而三(💐)个(💏)病人的“见鬼实录(🔄)”让(📬)他(📨)对原(yuán )有信念(nià(👳)n )产生了(le )怀(huái )疑。作(🎤)为最受欢迎的惊(👷)悚(💳)戏(🚾)剧之一，该剧曾在(❎)全球多(duō )地进行(🗾)(háng )巡演(yǎn )。
古(gǔ )代(🕶)有(👒)(yǒu )一伙劫富济贫平(🦋)乱为民的正义强(✋)盗，与一伙无恶(è(💮) )不(🉐)作的(de )海盗，共(gòng )同得(🚌)(dé )知(zhī )一条(tiáo )关于(🥤)宝藏的消息，但(🌘)想(🎹)找到宝藏必须要找(🤣)到(🎎)一位(wèi )女孩，藏(cá(🐊)ng )宝图(tú )与(yǔ )开(💻)启(🌍)(qǐ )宝藏大门的钥(🤳)匙(🔧)在(🔽)女孩的手中，但女(㊗)孩在多年前(qián )已(🦑)经消(xiāo )失在那(nà(🧗) )个(🕸)(gè(🏪) )世界(jiè )，传闻是穿(➖)越到了另一个时(🆘)代。
On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard partying parents from their predatory neighbour (Lauren Holly) who is intent on feeding them all to her undead family…
十七岁的坎(🕒)蒂(🤸)(dì )丝经常(cháng )做梦(mè(🍳)ng )，她(tā )在发(fā )病(bì(🎬)ng )时做的梦往往是(🎭)最(🦃)清晰真实的。在一次(🧓)梦中，她遇见(jiàn )一位(🛸)正(zhèng )在(zài )梦游(🎨)(yó(🖼)u )的(de )英俊(jun4 )男孩。这个梦(🌥)一(🐳)直萦绕在她脑海(🏣)中，尤其是因为(🚀)(wé(😰)i )她希望(wàng )逃(táo )离现(💖)(xià(🌉)n )实(shí )，活(huó )在美好(💱)的梦中。她一边(🐴)想(🚥)着离开这个无聊(🥂)阴(🙈)沉(🐮)的(de )海边小(xiǎo )镇，另(🐽)(lìng )一(yī )边还(hái )在(😿)震惊于当地一个(🍵)男(🍲)孩的失踪事件。“在北(🤠)爱尔(ěr )兰问题(tí(🥨) )时期(qī )，这(zhè )里还(🦏)(há(⚪)i )更(gèng )安全一点。” 坎蒂(🏰)丝的警察父亲说道，因为当(dāng )地的(🐫)恶(🦐)(è )棍团伙(huǒ )不(bú )断(🚸)惹(🤟)(rě )出(chū )暴力(lì )事(🥓)件，导致当地越(👆)来(🔏)越危险。坎蒂丝在现(🗓)实(☝)中遇(yù )到了一(yī(😥) )个(gè )长得(dé )很(🤤)(hě(🌕)n )像梦(mèng )游男孩的(📉)人(🔡)，感(⏺)觉世界从此被点(💾)亮。坎蒂丝虽然(rá(🌤)n )迷恋这(zhè )个惴惴(🍉)(zhuì(🚠) )不(bú )安的(de )陌生男孩(🥀)，但后来得知，他居(🥅)然是父亲决心要(❤)除(🗳)(chú )掉的其(qí )中一名(🖕)(míng )恶(è )棍。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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