“假(🚶)如音乐(🔰)
“假(🚶)如音乐(🔰)(lè )是爱情(⛄)的食粮(🖕)，请(qǐng )继续演奏吧(📂)！”以(yǐ )配乐(lè )著称并为(🐏)莎士(shì(🏈) )比亚(yà )爱(⭐)情喜剧(🚌)《爱(ài )的徒(tú )劳》及(♐)《爱的(de )胜利(lì )》（即《无事(⏬)(shì )生非(🐓)(fēi )》）注入(🐤)无限(xià(🚢)n )活力(lì )的超人气(🥚)导演(yǎn )克里(lǐ )斯托弗(⛑)•拉斯(🈯)(sī )康贝(bè(🍟)i )（Christopher Luscombe）携(➿)创作团队重(chóng )返(📋)埃文(🕗)河畔斯(💲)特拉(lā )福(🏇)(fú )德的(🤙)皇家莎士(🍁)比(bǐ )亚(🌹)(yà )剧团，执导莎翁另(lì(🏙)ng )一部滑(⏸)稽又心酸(⏬)的(de )单相(⛹)思爱情故事：
Alex, 43 ans, est dé(⏩)panneur automobile dans le garage que dirige d'une main de fer sa mère. Un jour, il dépanne une jeune femme et passe la nuit chez elle, mais au petit matin elle a disparu lui laissant sur les bras trois enfants.
“没有名字(zì )的我(🍳)，没有未(🧠)来的(de )她”
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world –(🚡) Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
故事(🔀)发生(shēng )在2045年(nián )，虚(🆘)拟现实技(jì )术已(yǐ )经(😛)渗透到(😘)了人(rén )类(🚌)生(shēng )活(🤥)的每一个角(jiǎo )落(📳)。詹姆斯哈利迪(dí )（马(🌦)(mǎ )克·(🤔)里朗斯 Mark Rylance 饰(🌰)(shì )）一(🚳)(yī )手建造了名为(🃏)(wéi )“绿(lǜ )洲”的虚拟现实(🛑)游(yóu )戏(🆗)世界，临终(⚡)前，他(tā(🐿) )宣布自己在游戏(xì )中(⚓)(zhōng )设置(✝)了一个彩(🌏)蛋，找到(🈚)这枚彩蛋的人(ré(🆚)n )即可成为绿洲的继(jì(📆) )承人。要(🕚)找到这枚(🔁)(méi )彩蛋(🃏)(dàn )，必须先获得(dé(👉) )三把(bǎ )钥匙，而寻找(zhǎ(🔛)o )钥匙(shí(🛥) )的线索就(🌈)隐藏(cá(💉)ng )在詹(zhān )姆斯的过(😹)往之(zhī )中。
影片讲述青(🏣)年(nián )医(🚚)生(shēng )刘云(😬)翔因为(🐚)父(fù )亲的(de )被杀从(🚊)而卷入(rù )了一(yī )起日(🗡)军盗抢(⏺)国宝化(huà(🏧) )石的阴(🚃)谋，展示了(le )我北平地下(🏒)党为保(😈)(bǎo )护(hù )民(🍵)族国宝(🌊)而同日本(běn )侵略(🏙)者斗智斗勇的(de )故事。
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