Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
一(🦅)个年迈的鳏夫(🔻)(fū )，二战(zhàn )时(♑)期(qī )的(de )无线(🤳)电话务员，发觉(🥝)闪烁的灯泡(🚫)(pào )传 递(dì )着(zhe )他亡妻来自天(🔼)堂的消息。
英(⛄)国(guó )内(nèi )战期(🕚)(qī )间(jiān )，交(jiā(🚍)o )战双方士兵(🧞)发现他们陷入(🏟)(rù )一片被(bè(🎥)i )女巫(wū )控(kò(🕘)ng )制的森林之中(🎙)
人據說一生(🖖)最多有(yǒu )十(🍭)萬(wàn )條(tiáo )頭髮(🥌)，每一條頭髮(🔅)質感長度有(🎮)異(yì )，但(dàn )都(dō(🐌)u )承載(zǎi )著煩(👍)惱的回憶。「(🤚)時光理(lǐ )髮」(🔜)剪(jiǎn )掉的不(🙃)(bú )只是頭髮(🔙)，還有街坊不快(🈹)(kuài )的記憶(yì(🍥) )。行(háng )將(jiāng )式微的舊式廣東(🎧)理髮店店主(🅿)海泉(quán )叔指(zhǐ )望(wàng )兒子長(🐈)發繼承衣缽(📆)，不過兒子(zǐ )卻(🛸)(què )更想(xiǎng )當(🐡)(dāng )文青(qīng )，希(📤)望透過文字和(🕗)音樂改(gǎi )變(🈚)世界(jiè )。一(yī(📁) )次(cì )意外，長發(👕)被迫代父親(🌯)落場當師(shī(🌸) )傅，透(tòu )過理髮(😊)為街坊排憂(🤪)解難，更與離(🤜)(lí )家出(chū )走(zǒ(💱)u )少女(nǚ )相遇(🍍)相知，重新反(🍃)思自己(jǐ )的前(😦)路(lù )。傳統(tǒ(🌾)ng )理髮店交織(🎛)舊區鄰里人情(🚒)(qíng )，《點(diǎn )五步(🎐)(bù )》男角岑珈其化身理髮店(🔎)傳人，演(yǎn )出(🌪)清(qīng )新(xīn )自然(🗒)。
欧阳建国在(🌨)美玲开的彩(🆔)(cǎi )票(piào )站随(suí(🕖) )意(yì )买了(le )一(📬)张彩票，竟中(📅)了大奖。他想通(🌥)(tōng )过这笔(bǐ(🕛) )钱摆脱老婆(🏪)的多年欺辱，和(😁)心仪(yí )已久(🥓)(jiǔ )的(de )美玲在(📚)一起。与建国暧(🚏)昧的美玲(lí(🐲)ng )，心(xīn )里(lǐ )已(📸)经打好了小算(🍑)盘，实际上她(🔝)(tā )想利用(yò(💍)ng )欧阳建(jiàn )国的(🔇)钱，为自己的(🏒)男朋友(yǒu )阿飞还(hái )债，谁(shuí(🕙) )知阿飞招惹(🌦)的是团伙头目(🔄)花皮，为了(le )保(🛸)(bǎo )全美玲，阿(🚮)飞也有了自己(🐢)的一系(xì )列(🖇)计(jì )划(huá )。与(😴)(yǔ )此同时，两个(🥘)到县城的小(🐴)(xiǎo )偷介入(rù(🥚) )其中，给穷途末(🕡)路的众人再(🦆)添了一把火(📛)(huǒ )，上(shàng )演(yǎn )了(🏥)一出啼笑皆(🚨)非的喜剧。最(🚄)终彩(cǎi )票会(huì(👯) )落(luò )入谁手(🔝)，八线城市的(⏲)不同阶层(céng )的(🈷)人们(men )又(yòu )何(😺)去(qù )何从……
一道高大的(⬇)围墙(qiáng )两侧(🙏)生(shēng )活着(zhe )红(hó(⏭)ng )族与绿族两(🎟)个部落。一场(🔗)罕见的(de )旱灾(zā(🖕)i )使(shǐ )绿族的(💶)人民陷入窘(🚶)迫的境地，首(shǒ(🔐)u )领mu 在(zài )一(yī(💃) )份古(gǔ )老竹(🐔)简的指引下，不(🧥)惜牺(xī )牲一(🆘)切(qiē )代价，与(✅)红族建立合作(🔸)关系，拯救本(🥞)部(bù )落。第(dì(📵) )二六五任“mu”在位(🏉)之际，绿族将(💫)(jiāng )遭受(shòu )巨(🈁)(jù )大灾难，唯有(👏)借助红族力(🐕)量，方可渡(dù )过(guò )难关(guān )。
钱(🌕)麟遂父亲心(🦔)愿，带上(shàng )门客(🐊)亦(yì )卿和(hé(💔) )小(xiǎo )厮春子(😯)，来到七灵峰找(🥚)辛于学习(xí(🏺) )剑法(fǎ )。亦卿(⏱)与辛于因为投(⏰)缘结为知音(🙁)，岁月(yuè )静(jì(🤖)ng )好。子夜来到辛(🌋)庄要挑战辛(🐹)于(yú )，被辛(xī(🗯)n )于重伤(shāng )，钱麟(🌳)却对子夜一(🛴)见如故，教他(💚)(tā )辛于(yú )的(de )剑(📔)法。亦卿看出(🦇)子夜身上戾(🍚)气，劝阻(zǔ )钱(qiá(🚤)n )麟，钱麟毫不(🔬)在意。子夜却在(zài )剑术精(jī(🔐)ng )进(jìn )后杀(shā(🌋) )了钱麟的师父(😪)辛于，两人(ré(💓)n )积怨。辛于(yú(🔻) )死(sǐ )后，子夜在(🍩)江湖声名鹊(🕞)起，并暗(àn )中(🔘)送(sòng )银(yín )子给(🦆)钱麟。子夜与(🕕)钱麟相遇，两(🛒)(liǎng )人间(jiān )隙(xì(🌺) )更甚(shèn )，亦卿(🥢)见钱麟对自(🙁)己疏离(lí )，也伤(💠)(shāng )怀离开(kā(👖)i )钱府……
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
