Ivan (Brian Jordan Alvarez) is an American Paint Artist residing in Colombia. He was visited by his best friend, Christian (Peter Vack) along with his younger brother, Cole (Morgan Krantz). Somewhere along the way, Ivan and Cole hit it off although Cole is not gay (so he says). Will older brother, Christian be okay with that? As they say, True Love Conquers All, even if it takes years.
Brian and Jenny are preparing for the big opening of their bed and breakfast, Emily's Country Inn, when a huge storm hits Bucks County. Brian agrees to return to Wall Street to boost their funds, while Jenny scrambles to keep the opening on time.
该片(piàn )讲(jiǎng )述了生活(🔠)落(luò )魄(😺)(pò(👋) )、缺乏自信(xìn )的(de )屌丝(⭕)秦峰通(👚)过(🏟)超级VR与虚拟世界连接(⌛)技术，穿(📪)越(⭐)(yuè )到(dào )经常玩的游(yóu )戏(xì )《虚(🛡)幻(🛷)人生(shē(💞)ng )》中各种冒险(xiǎn )求(qiú )生(🤘)的故事。
故(🐫)事改编自杰夫·伯曼(🌳)的同名(🧘)纪(🌞)实回忆录，讲述(shù )当(dā(🚧)ng )年他在(👏)终(🆘)点(diǎn )等(děng )待参赛的女(nǚ )友(yǒ(👭)u )时(🌾)，不幸遭(zāo )遇(yù )炸弹袭击，失去(🚁)双(🥤)腿，并重(🍿)新生活的个人经历(lì(😴) )。
A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.
A fishing community on a remote Maine island finds itself suddenly cut off from the rest of the world after the ferry stops coming. When people start to vanish, the terrified survivors realize that someone - or something - is hunting them.
2017戛纳影(💭)展(💂)导(dǎo )演(yǎn )双周单元闭(📒)(bì )幕(mù(😔) )片(🤨)。美国导(dǎo )演(yǎn )吉瑞米(⛎)杰斯伯(📤)编(👌)导作品，丹妮尔麦唐诺主演。故(🤓)(gù(👍) )事描述(🌶)一个(gè )乡(xiāng )镇女孩，追(🏤)(zhuī )寻(xún )饶(🍑)舌美国梦(mèng )的(de )故事。
电(💠)影《新港(⚫)故(⏩)事》是一个时间跨度与(🌷)香港回(💦)归(🚚)20年同时(shí )段(duàn )的故事，讲(jiǎng )述(⬜)(shù(🤐) )了坚强的香(xiāng )港(gǎng )女人汤美(🐡)娟(🦐)(juān )面(mià(🥦)n )临丈夫被谋杀，自营船(🤶)厂濒临破(🚤)产的困境奋力(lì )拼(pī(🕐)n )争，在富(🗿)家(💓)(jiā )子(zǐ )弟苏振华的(de )帮(🎡)(bāng )助下(⛔)终(🤥)于东(dōng )山(shān )再起，二人携手共(😅)同(🕟)谱写了一段凄美感人的爱(à(🍆)i )情(🌏)(qíng )乐章(🎇)。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
