When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.

影片讲述了两(🍣)个(👺)珠宝(🦗)设计师被秘密组织挑(tiā(⛺)o )选为(😌)实验(yàn )对象(xiàng )，在对抗(kà(🕶)ng )过程(👇)(chéng )中而发生(shēng )一系(xì )列(📣)精彩(🏮)的(de )故事。年轻有为的珠宝设计(🎅)师(🥥)李(🍺)清晨在(zài )一次公司(sī )季(🐮)度(🌒)(dù )珠宝设计(jì )中遇(yù )上海(🏞)归(⬇)设(shè )计师(shī )刘曼妮，一个是(✔)典(🕤)型的(😈)大男子主义，一个是霸(🏹)道(🗄)(dào )的(⛄)女权主(zhǔ )义者(zhě )，火花(🏞)四(🤢)(sì )溅(🕔)针(zhēn )锋相对的(de )两人(ré(🕵)n )在(⌚)一次(🍓)绑(bǎng )架案(àn )后被命运紧(🎯)密地(🌹)联系在一起。面对一系列(🔨)的身(🍲)体(tǐ )变异，和(hé )黑衣(yī )人(🐤)组织(🖋)头(📏)(tóu )目“托尼”接(jiē )二连(lián )三的(👿)夺(🌶)命(🌂)(mìng )追杀，李清晨和刘曼妮(🧀)这(🐒)对欢喜冤家在(zài )逃亡的过(🍼)(guò(🤚) )程中(zhōng )逐渐开始(shǐ )变得(dé(🏘) )彼(🚋)此信(🔃)任(rèn )，而(ér )两人也联(liá(🛵)n )手(🥘)揭开(🍗)了一段不为人知的惊(🔛)天(🐠)大阴(🤝)谋。

在贝鲁特(tè )一个(gè(⬇) )街(🔐)角的(🗯)咖(kā )啡店(diàn )二楼，有(yǒu )一(🦑)面(mià(😪)n )大大的转(zhuǎn )角窗(chuāng )和一(📍)台电(💩)视机，一位78岁的退伍将军(🥕)和一(☝)位(😱)81岁的退(tuì )伍军医每(měi )天早(🎋)(zǎ(🐰)o )上都会在(zài )这里(lǐ )碰面，看(🌋)(kà(🉑)n )着街(jiē )角车来人往，做着填(🕐)字(💊)游戏，以此对抗阿茨海默(mò(😘) )综(🧚)合症(🚡)。伴随(suí )两位老人(rén )的(🔢)玩(🦗)(wán )笑(👁)和字谜(mí )，咖(kā )啡馆的(😘)顾(🔼)(gù )客(💨)纷纷登场。本片用发生(🧐)在(🌂)一个(😶)社会小(xiǎo )角落16天之(zhī )内(📲)的(de )一(🎢)系列事(shì )件，四两拨千(qiā(📿)n )斤地(♐)(dì )讨论了人(rén )生、政治(🐃)、历(😩)史(🧝)等话题；通过单场景多幕(👽)剧(💕)的结(jié )构让(ràng )人感受到(dà(💨)o )老(📸)人(rén )们的孤独(dú )，以(yǐ )及疾(🙇)病(🛍)带(dài )来的(de )苦涩，同时映射出(🍄)黎(👆)巴嫩(👮)暴力事件肆虐的现状(🔮)。以(🍯)小见(😝)大(dà )，令(lìng )人回味。

在贝(💉)(bè(🛐)i )鲁特(🗻)一个(gè )街角(jiǎo )的咖啡(🤽)店(👣)(diàn )二(🎯)楼，有一面大大的转角窗(🙂)和一(🙋)台电视(shì )机，一位(wèi )78岁的(💉)(de )退伍(👲)将军(jun1 )和一(yī )位81岁的退(tuì(🤾) )伍军(🔹)(jun1 )医(🥄)每天早(zǎo )上都(dōu )会在这里(🧘)碰(😿)面，看着街角车来人往，做着(👳)填(🤜)(tián )字游(yóu )戏，以此(cǐ )对抗(kà(🔐)ng )阿(♉)茨海默(mò )综合(hé )症。伴随(suí(👹) )两(🐛)位(wè(🏇)i )老人的玩笑和字谜，咖(🚟)啡(🙆)馆的(🕛)顾客纷纷登场。本(běn )片(🥊)用(🔣)发生(👵)(shēng )在一(yī )个社会小(xiǎo )角(📦)落(luò(🚍) )16天之内的(de )一系(xì )列事件(♊)，四两(🎽)拨千斤地讨论了人生、(🐦)政治(😷)、历史(shǐ )等话题；通过(guò )单(🔵)场(💴)景多(duō )幕剧(jù )的结构让(rà(⏫)ng )人(🎵)感(gǎn )受到老人(rén )们的孤独(😊)，以(🚱)及疾病带来的苦涩，同时映(🔣)射(🌛)出黎(lí )巴嫩(nèn )暴力事件(jià(🌻)n )肆(🔸)虐(nuè(🈯) )的现状。以小(xiǎo )见大，令(🈵)(lì(🈁)ng )人回(💗)(huí )味。

Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

Skilled at killing, but not so skilled at living, Sammy Cohen, a French and London-based assassin, accidentally kills his fiancé, who happens to be the daughter of an Israeli gangster. qiwan.cc Forced to flee, he ends up in Copenhagen, where he starts working with a former mercenary and together, they travel all over Europe, doing the dirty work on behalf of a rich industrialist.